In The New York Times, Nick Bilton offers several reasons why so much wearable technology has not worn so well. “First, almost all of them require a smartphone to be fully operational … a wearable becomes yet another gadget that we need to lug around. There’s also the fact that most of these devices are quite ugly … Then there’s the unpleasant fact that the technology just doesn’t seem ready … But the biggest issue may be the price … consumers just can’t justify buying a smartwatch that costs nearly as much as a smartphone.”
Geoffrey A. Fowler, writing in The Wall Street Journal, meanwhile extols the virtues of the Mio, which uses a metric called Personal Activity Intelligence (PAI), which tracks heart patterns rather than foot movement. “Mio’s hardware isn’t as elegant as others on the market, but PAI is the best example yet of how wearables can turn data into tailored, actionable advice, and hopefully longer lives,” Geoffrey writes.
“Unlike step counting, where you start over each morning at zero, PAI runs on a rolling weekly tally … Everyone’s PAI is a little different, by design. The formula takes into account your age, gender, resting heart rate, max heart rate and other unique signals. It’s personal Big Data,” Geoffrey writes.
Chinese dissident artist Ai Weiwei has turned the Bon Marché department store in Paris into an art gallery, reports The New York Times. “Anyone needing more evidence that the distinctions between public and private, high and low, art and commerce, and actual versus Internet celebrity have now imploded beyond recognition need look no further than this example of a populist Chinese dissident artist exhibiting in a luxury department store in one of the world’s fashion capitals.”
“Why the Bon Marché? Mr. Ai said that no French museums had contacted him about organizing a show … The Bon Marché first contacted the artist in late 2014, when he was still prevented from leaving China, said Frédéric Bodenes, the store’s artistic director. Mr. Bodenes said the store was not worried about souring ties with China.”
“We’re about poetry, beauty, dreams. We’re here to entrance our customers, and there’s no politics behind it,” Mr. Bodenes said. “Art is a value-added thing that we give our clients.”
A board game from the 1960s has been updated with “digital” cards using algorithms and big data, reports The New York Times. In the past, Strat-O-Matic, a “baseball simulation game,” was “played using cards for each player based on statistics from the previous season.” In its latest iteration, called Baseball Daily, the cards are “updated daily,” allowing players “to play games in the present,” says Adam Richman, son of the game’s founder, Hal Richman.
“Every year, we try to push forward digitally,” Adam says. “We need to rethink how we are doing everything.” He adds: “This is a natural evolution that will allow more engagement for our fans and expand our purview.” The hope is that Baseball Daily will “scoop up some daily gamers who have been flocking to the fantasy sports sites FanDuel and DraftKings, although Baseball Daily does not involve cash prizes and is structured differently.”
Strat-O-Matic is also developing apps. Traditionalists will, of course, be able to continue play Strat-O-Matic the old-fashioned way, using last year’s data.