Composing The Corvette Symphony

The New York Times: “I make Corvettes sound like Corvettes. I fine-tune what the engine sounds like, both inside and outside the car, at our Milford, Mich., testing facility, the Milford Proving Ground. There’s a 65-year heritage behind the way these performance cars sound, so we take the work very seriously. I’m the composer of a symphony, in a way.”

“The base model’s sound is the tamest. The Grand Sport, our midlevel model, has a wider body and sits lower, and the engine sound is more rambunctious. The Z06, our supercar, has a powerful, aggressive sound.”

“The sound is a combination of the engine and exhaust system outputs, and there needs to be a balance between the two. I manually adjust pipes in the exhaust system and record engine sounds digitally and adjust them. We place microphones all over the car for recording. I might do 40 iterations of the engine and exhaust system sounds before I’m satisfied.”

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